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Lalla essaydi orientalism

An interview with Essaydi published in September 2013 discusses how the artist finds this mass appeal to be problematic. The language barrier proves irrelevant, however, when you’re able to turn the page and be confronted with images like these: Rich patterns, exotic women wearing layers beneath their poses and facial expressions, a million and one references to Orientalist paintings from the 1800s, provocative titles…Essaydi produces image after image of compelling stories that penetrate every kind of viewer in a different way. The series which followed this, Les Femmes du Maroc (2005-7), expanded this further, exploring the charged rhetoric of veiling and revealing which surrounds Islamic women.

Lalla essaydi orientalism

Lalla essaydi orientalism

Bold, brave and unafraid to make frank and honest statements regarding gender and the Middle East, Essaydi challenges the tropes of Orientalism head-on in her work. Following in the footsteps of artists like Delacroix, whom he admired, this flamboyant painter’s Orientalism is similar to that of Henri Regnault, Mariano Fortuny, Georges Clairin and Jean-Paul Laurens, who also fure largely in the exhibition.

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  • It’s impossible to think about contemporary Moroccan art without hearing Lalla Essaydi‘s name.


    Lalla essaydi orientalism

    Lalla essaydi orientalism

    Lalla essaydi orientalism

    Her transformations of the orinal paintings reverberate with the historical past while revealing the colonial and gendered perspectives of historic and contemporary Orientalism. All visible surface -backdrops, floor, drapery, skin — are inscribed with Arabic raphy. In Islamic cultures raphy is a male art form, used primarily to transcribe the Q’uran and other sacred literature; however, in Essaydi’s work, the texts – musings on personal freedom, cultural and individual identity, memory and communication taken from her personal journals – are applied with henna, a tradition associated with women.

    Lalla essaydi orientalism

    The Museum is hanging the sun on its walls with this exhibition on Orientalism, a first for Canada, based on extensive orinal research. NON PROFIT BUSINESS PLAN EXPERTS Essaydi was raised in Morocco and spent many years in Saudi Arabia, and although she was educated in Europe and the United States, this experience of traditional Islamic life was fundamental in shaping her.


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